22 November 2013–21 April 2014
Opening on 22 November 2013, Turner and the Sea at the National Maritime Museum is the first full-scale examination of J.M.W Turner’s lifelong fascination with the sea. Dramatic, contemplative, violent, beautiful, dangerous and sublime – the sea was the perfect subject to showcase Turner’s singular talents, and the 120 pieces on display include some of the most celebrated paintings of the artist’s long career.
The extraordinary quality of the works gathered together for Turner and the Sea confirms his status as the pre-eminent painter of water, and demonstrates his unique ability to represent the elemental power of the sea. The exhibition features items on loan from some of the world’s most prestigious artistic institutions including: The National Gallery, Tate, Yale Center for British Art, British Museum, Metropolitan Museum of Art, Royal Collection Trust, Calouste Gulbenkian Foundation, Lisbon and National Gallery of Art, Washington.
From his transformative Royal Academy paintings of the late 1790s and early 1800s to the unfinished, experimental seascapes he produced towards the end of his life, more than half of Turner’s artistic output depicted maritime subjects. It should come as no surprise that a man who spent much of his life along the coastlines of Britain and Europe, who spent days fishing the river Thames, and who reportedly had himself lashed to the mast of a ship to better paint a storm at sea, captured this subject so often and with such evocative mastery. Nonetheless, the sheer volume of material Turner created in his quest to depict the sea is remarkable.
The Fighting ‘Temeraire’ (1839), Snow Storm – Steam-Boat off a Harbour’s Mouth (1842), Staffa, Fingal’s Cave (1832), ‘Now for the Painter’ (1827), Keelmen Heaving in Coals by Moonlight (1835), Whalers (c.1845) and Calais Pier (1803) will all be shown, alongside works by other major British and European artists, including Willem van de Velde, Claude-Joseph Vernet, Thomas Gainsborough, Nicholas Pocock, John Constable and Richard Parkes Bonington. Turner and the Sea re-evaluates the compelling appeal of the sea for Turner and his contemporaries, and gives visitors the opportunity to see the ways in which he responded to the art of the past, while challenging his audiences with a new and exciting maritime vision.
Further highlights include: Turner’s largest painting and only royal commission, The Battle of Trafalgar (1824), one of the jewels in the National Maritime Museum’s fine art collection; Fishermen at Sea, the first oil painting Turner exhibited at the Royal Academy; The Wreck of a Transport Ship (c.1810), not seen in London since 1970s, displayed alongside The Shipwreck (1805) and Calais Pier – the first time these three storm paintings have been shown together; and The Wreck Buoy (1849), Turner’s last exhibited marine painting.
Encompassing oils, watercolours, prints and sketches, the exhibition follows Turner’s progression from newly-elected Royal Academician to one of the country’s most celebrated artists. While his style changed considerably, his virtuoso showmanship remained a dazzling constant. Turner and the Sea examines the artist’s new and often unexpected response to the prestigious history of European marine painting, as well as the relish with which he competed with other artists of his generation, ultimately leaving them in his wake as he took his work in a new, uninhibited and innovative direction.
Having begun by responding to the artists of the 17th century at the start of his career, the works from the end of Turner’s life seem almost as if they could come from the 20th century. As he left behind the rules and conventions of maritime art, dividing critics and public alike, Turner created a unique vision of the overwhelming power of nature – the final stage in a lifelong engagement with the sea.
Dr. Kevin Fewster, Director of Royal Museums Greenwich, said ‘J.M.W. Turner is one of the most influential painters in the history of British art. He was also the 19th century’s greatest and most prolific marine artist, and one for whom naval and maritime Greenwich provided a rich source of inspiration, making the National Maritime Museum an especially appropriate venue for this exhibition. So obvious is Turner’s fascination with the sea, I was surprised to discover that a major exhibition devoted to this theme in his work had not been previously staged. I am glad that this omission has allowed us to put together this wonderful exhibition which I hope will be an inspiration for art lovers and lovers of the sea alike.’
Exhibition information for visitors:
Venue: National Maritime Museum, Greenwich
Dates: 22 November 2013–21 April 2014
Opening times: every day, 10.00–17.00, late opening on Thursdays
Visitor enquiries: 020 8312 6565 / www.rmg.co.uk
Admission: Charges apply, please see www.rmg.co.uk for details
Notes to Editors:
- Royal Museums Greenwich incorporates the National Maritime Museum, the Royal Observatory Greenwich, the 17th-century Queen’s House and Cutty Sark. Royal Museums Greenwich works to illustrate for everyone the importance of the sea, ships, time and the stars and their relationship with people. This unique collection of attractions, which form a key part of the Maritime Greenwich UNESCO World Heritage Site, welcomes over 1.5 million British and international visitors a year and is also a major centre of education and research. For more information visit www.rmg.co.uk.
- Turner and the Sea is accompanied by a richly illustrated catalogue authored by exhibition curators Christine Riding and Richard Johns. Published in November 2013, the catalogue will explore and celebrate Turner’s lifelong fascination with the sea, while also setting his work within the context of marine painting in the 19th century. Also entitled Turner and the Sea, the catalogue will be published by Thames and Hudson and will retail at £35.
For further information or images, please contact:
Jenny Stewart or Sheryl Twigg, Royal Museums Greenwich Press Office
Tel: 020 8312 6732 / 6790 | 07903 547 268 or Email: email@example.com