Opens 7 August
This August, The Art and Science of Exploration, 1768-80 opens in the newly refurbished rooms at the centre of the Queen’s House. Exploring the crucial role of artists on Captain Cook’s three voyages of discovery, the exhibition will be the first time that Stubbs’s Portrait of a Large Dog (Dingo) and The Kongouro from New Holland (Kangaroo) will be on display since they were acquired by the National Maritime Museum in November 2013.
When Cook’s first expedition to the South Pacific returned to Britain in 1771, he brought back accounts and images of extraordinary lands, people, flora and fauna. Returning twice more over the following decade, Cook established a pattern for voyages of discovery that combined scientific investigation with artistic response. The newly-acquired Stubbs paintings will be joined by portraits, landscapes and scenes of encounters with Pacific islanders by William Hodges and John Webber as well as botanical prints and original drawings by Sydney Parkinson.
Artists played an essential role on Captain Cook’s three voyages, producing both scientific records and imaginative responses to the unfamiliar lands that they encountered, forever influencing how the British public saw the Pacific. William Hodges was to become the first professional English painter to meet people previously unaffected by European contact, whilst John Webber’s painting of Poedua, the Daughter of Orio is one of the earliest portraits of a Polynesian woman by a European painter. The artists’ works were crucial to how places and discoveries were brought back and interpreted by those in Britain. Hodges’ paintings, particularly Tahiti Revisited, show how artists adapted the techniques and styles learnt in Europe to depict these exotic scenes for a British audience.
The middle section of The Art and Science of Exploration, 1768-80 looks at the work of Hodges, the artist who experimented and developed the most during his explorations with Cook and shared an interest in climate with the scientific men on board. He produced bright, vibrant studies that were on-the-spot responses to his environment with none of the classical allusion added to his later finished paintings. On display is Hodges’ A View of the Cape of Good Hope, Taken on the Spot, From On Board the Resolution, exhibited at the Free Society of Artists before he returned, along with eight of his small sketches, including the last oil study made on the second voyage, View of Resolution Bay in the Marquesas.
The third aspect of the exhibition focuses on the 30,000 dried plants and 955 botanical drawings by Sydney Parkinson that were brought back from Cook’s first voyage. The sheer quantity of new plants recorded was a defining feature of this expedition. Parkinson died during the return journey but his patron, the naturalist Joseph Banks planned to produce a book, employing a large group of artists to complete watercolours and engravings based on Parkinson’s sketches. However, it was not until the 1980s that all 743 prints were made. On display will be Parkinson’s original drawing, the watercolour, copper plate, engraving proof (all on loan from the Natural History Museum), and final print of two specimens collected at Endeavour River, Northern Queensland in 1770.
This exhibition shows the important role that artists had on the Cook voyages and on the European understanding of these faraway lands. They produced extraordinary images which worked both as scientific records of carefully planned exploration, as well as sensitive representations of an unfolding new world.
Exhibition information for visitors:
Venue: Queen’s House, Greenwich
Dates: Opens 7 August
Opening times: Every day, 10.00–17.00. The Queen’s House occasionally closes for private events, please call or check online before making your journey
Visitor enquiries: 020 8312 6565
Notes to Editors:
- Travellers' Tails – From April 2015, Stubbs’s The Kongouro from New Holland will embark on its own 12 month voyage of discovery – touring to four museums – The Horniman Museum and Gardens; The Captain Cook Memorial Museum, Whitby; The Grant Museum of Zoology; and the Hunterian Museum – as part of the HLF-funded Traveller’s Tails project. Through a programme of activities at the National Maritime Museum, partner museums, and online, Travellers' Tails invites the public to find out more about Cook’s voyages, new encounters and discoveries made with others aboard the ships, and how Cook shared his stories and discoveries back home.
- Members of the public can share their own stories of exploration and discovery, from the first time they saw unusual animals, to their epic adventures in different countries, journeys, and reactions to new landscapes and animals; and how tales of adventure are told to others. The project will investigate the nature of exploration and what it means to explore today.
- The 17th-century Queen’s House, designed by Inigo Jones, was the first Classical building in England – it is known for its perfectly proportioned Great Hall, original marble floor and beautiful Tulip staircase. Part of Royal Museums Greenwich, the Queen’s House is a Grade I listed building of unique architectural importance and forms an important part of the UNESCO Maritime Greenwich World Heritage Site. Visitors to the Queen’s House can see highlights from the National Maritime Museum’s fine art collection, including: famous portraits of former Greenwich residents Henry VIII and Elizabeth I; and exquisite examples of the work of the van de Veldes.
For further information or images, please contact:
Eloise Maxwell or Sheryl Twigg
Royal Museums Greenwich Press Office
Tel: 020 8312 6732 / 6790 | 07903 547 268 or Email: firstname.lastname@example.org