The best astrophotography equipment - according to the experts

Photographers from Insight Investment Astronomy Photographer of the Year 2019 reveal the cameras, lenses and telescopes they use to capture incredible images of the night sky.

Astrophotography equipment: what you need to get started

Insight Investment Astronomy Photographer of the Year showcases the world's best space photography, from stunning shots of aurorae and skyscapes to images of distant planets and galaxies.

While the skills of the photographers are remarkable, much of the equipment they use is within the grasp of beginners who are just starting to get into astrophotography.

The guide below reveals the gear used by some of the best astronomy photographers in the world, giving you a sense of what to look for when shopping for cameras and accessories.

If you want to find out more, the Royal Observatory in Greenwich runs a number of beginner astrophotography courses, in which astronomers guide you through the basics of taking photos of the night sky. Check out the next course here.

How to enter Insight Investment Astronomy Photographer of the Year


DSLR (digital single-lens reflex) or mirrorless cameras are a must for great astrophotography. The ability to open the shutter for extended periods enables photographers to take in as much light as possible in a dark night scene and capture faint or faraway objects.

The flexibility of DSLRs make them ideal purchases for a number of fields of photography including astrophotography, and their technical qualities allow for a huge variety of compositions.

Most camera deals include at least one 'kit lens' along with the camera body, and some bundles offer the opportunity to purchase even more. Knowing the brand of camera you want to start with therefore is very important, as any future lens you purchase will have to be compatible. 

For specific models used by our award-winning photographers, see the list below.


“My camera body is a Canon 6D, whose sensor performs great under low light conditions,” says Our Sun 2019 photographer Juan Carlos Munoz. See the results of this low light performance in his image of the setting Sun below, featuring a rare ‘triple green flash’.

Triple Green Flash by Juan-Carlos Munoz-Mateos (Canon EOS 6D camera, 400 mm f/11 lens, ISO 100, 1/4000-second exposure)

An alternative budget option for those getting started is the Canon 450D used by Best Newcomer 2019 photographer Ross Clark. He says he used what he calls this “pretty average” camera after modifying it for astrophotography himself using an online guide.

“All my equipment for my entry was second hand and by no means top of the range,” he says. See the results below.

The Jewels of Orion by Ross Clark (Canon 450D astro-modified camera, Sky-Watcher Star Adventurer mount, Canon EF 70-200 mm f/2.8L USM lens at 200 mm f/3.5, ISO 800, two-panel mosaic, 3-hour total exposure)


“I use a combination of Nikon and Canon full frame DLSRs,” says People and Space photographer James Stone. “My Nikon D750 is my go-to camera body.” See his photo 'Cosmic Plughole’ taken with his Nikon camera below.

Cosmic Plughole by James Stone (Nikon D750 camera, 15 mm f/3.5 lens, ISO 2000, 250 x 15-second exposures)

Kevin Palmer also says that he uses the Nikon D750, while Marcin Zając says he takes a D600 with him for his images.


A number of photographers in this year's competition said that they used Sony cameras for their images.

“I use a Sony Alpha 7S for night-time photos, given the great hold at high ISO,” says People and Space photographer Alessandro Cantarelli.

Skyscapes 2019 entrant Stefan Liebermann also suggested looking at the Sony Alpha 7S as well as the Sony Alpha 7 III. As opposed to most of the DSLR cameras above, both these models are mirrorless cameras, which are typically smaller than their DSLR equivalents.

See the People and Space 2019 winner Ben Floyd talk about how he captured his winning image below


Just like with other fields of photography, once you have a camera that can take interchangeable lenses, the types of astrophotographs you can take expands enormously. As long as you know that your lens is compatible with your camera body, the potential to experiment is endless.

Here are just a few lenses used by photographers in Insight Investment Astronomy Photographer of the Year 2019.

“If you are going to invest anywhere, invest in good glass,” recommends photographer Ross Clark, “as this is what is collecting the light to focus on the camera sensor.”

Clark used a Canon EF L 70-200m f/2.8 for his 2019 entry above.

Juan Carlos Munoz has a number of suggestions for budding astrophotographers: “My two main astrophotography lenses are the Rokinon/Samyang 14mm f/2.8 and 24 mm f/1.4, which collect a lot of light over a large field of view.

“I also use a Tamron 45 mm f/1.8 when I want to get tighter compositions, and a Tamron 100-400 mm for zoomed-in views of the Sun and the Moon. Finally, my all-purpose workhorse lens is a Canon 24-105 mm.”

Stefan Liebermann says he prefers the perspective afforded by wide angle lenses such as the Sigma 144 1.8 in order “to capture the night sky in combination with the landscape.”

Masoud Ghadiri says his lens bag also includes a Sigma 14mm F1.8, as well as a Nikon 24-70mm E VR and Nikon 70-200mm E FL.

Sharafkhaneh Port and Lake Urmia by Masoud Ghadiri (Nikon D850 camera, Vixen Polarie mount, 24 mm f/4 lens, ISO 3200, 60-second exposure)

James Stone however keeps his recommendation a little simpler, saying that he “loves” shooting with his 50mm prime lens. Whichever camera you choose will have one of these standard lens available. Unlike zoom lenses, the 50mm is fixed and is similar to the perspective of the human eye.

Found your perfect gear? Time to give it a go! Learn how to take photographs of meteor showers


A solid stand for your camera ensures pin-sharp shots of the night sky.

However, as can be seen from the images in the competition, astrophotography can also take you to some pretty inaccessible places.

Marrying stability with mobility can come at a price when it comes to tripods. Here are just some of the suggestions from our 2019 photographers.

Sirui T-025X

Juan Carlos Munoz uses this lightweight, foldable travel tripod, which can collapse to a height of just 30cm.

Jason Perry also says he uses a tripod from brand Sirui, combined with a ball head from Manfrotto. Often ball head mounts are included with the tripod as standard, but some photographers choose to combine different mounts to suit their needs and the size of their setup.

Gitzo Traveler

Masoud Ghadari says that this tripod and ball head is his preferred platform for taking astrophotographs.

“I walk more than 10km sometimes to find a suitable location for photography,” he says. “Due to this, weight is very important for me.”


Today our Instagram is taken over by photographer @nb_fotografie. Nicolai is shortlisted in the #astrophoto2019 competition. Here, he tells us a little more about his astrophotography. ‘I started dabbling in astrophotography around 4 years ago; I bought a small camera and now here I am. I like to shoot in places where no one is around. I like all nature landscapes...sunrises, sunsets, the Milky Way and stars. The story behind these photographs is simple. I love going out at night or hiking in the dark and taking photos of the sky. I love the silence.’ See more of the #astrophoto2019 photos in the 2019 shortlist gallery (link in our Stories) and discover who will win this year’s competition on 12 September. #astrophotography #photography #nightphotography #panorama #nationalmaritimemuseum #exploregreewich​ ​#milkyway​ ​#milkywaychasers​ ​#landscapephotography​ ​#astrophoto #naturephotography​ ​#astronomy​#space​ ​#stargazing​ ​#astroscape​ ​#travel​ ​#explore #nightscape​ #lookupclub

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Telescopes and star trackers

Many incredible shots of the night sky can be captured without the need for a telescope, as this year's entries show. However, if you want to look deeper into the universe, a good telescope will take you there.

The Royal Museums Greenwich shop offers a number of beginner telescopes recommended by Royal Observatory astronomers. 

Shop for telescopes here

Star trackers meanwhile are specialised devices that are the secret weapon of many astrophotographers.

The rotation of the Earth means that the longer the shutter speed, the more blurred the night sky will appear in the final shot.

However, star trackers (also known as equatorial mounts) slowly rotate at the same speed as the Earth, only in the opposite direction. It means that photographers are able to automatically track objects as they move across the night sky.

This can be an advanced process, especially when trying to capture both the landscape below and the night sky above. Many of the images in Insight Astronomer Photographer of the Year combine multiple exposures to produce the final, breathtaking effect.

However, if you want to take your astrophotography to the next level, both telescopes and star trackers could be the answer.

Here is just some of the equipment used by the shortlisted photographers.

Star trackers

Sky-Watcher Star Adventurer This equatorial mount can be attached to any standard tripod head according to photographer Ross Clark.

iOptron Skytracker Kevin Palmer says he sometimes uses this mount for his tripod.

Vixen Polarie Masoud Ghadiri explains that he changed from the Sky Watcher Star Adventurer to this model because he found it more portable. However, make sure you consider the maximum weight of your camera and lens and check this against the star tracker specifications.

How to use a star tracker or equatorial mount


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Marcin Zając's photos above combine both pin-sharp images of the night sky with dramatic landscapes. The second image above, Big Sur Galaxy, was the first time he had used a star tracker. Here's how he did it:

This image was taken on the Big Sur coastline in California earlier this year. Big Sur has been called 'The Greatest Meeting of Land and Water in the world'. Located two hours south of the San Francisco Bay Area this mountainous stretch of the California coast is easily accessible and yet undeveloped and sparsely populated. There is virtually no light pollution here which makes it a perfect destination for night photography. The only source of light apart from the stars was a setting crescent moon and the occasional lights of a car driving on the Pacific Coast Highway.

This was my first time using an equatorial mount (known commonly as a star tracker). Rotating at the same speed as the Earth (just in the opposite direction) it enabled me to take 2 minute longer exposures of the sky without any trailing of the stars. I then blended a foreground shot from the same location taken during blue hour to get the final result you see here.

Using a tracker and stacking multiple images lets me achieve more crisp and virtually noise-free result. I process all my images using Adobe Photoshop.

See Skyscapes 2019 runner-up Ruslan Merzlyakov talk about his entry below


(Main image: Cosmic Plughole © James StonePeople and Space Highly Commended 2019)