28 Nov 2011
I have been in Edinburgh this weekend for an art history conference, presenting about madness in relationship to longitude in my usual plate from The Rake's Progress by William Hogarth. The conference was rewarding and stimulating, involving a range of papers that considered madness on the intersection between science and art. I learnt a lot and met some fascinating people. This also gave me the chance to soak up some culture and atmosphere in the ‘Athens of the North,’ and my first port of call was, of course, the newly re-vamped National Museum of Scotland. It is stunning. From the grand gallery that resembles a Victorian bird-cage, vistas open up into the surrounding galleries on ‘Natural World,’ ‘World Cultures,’ ‘Art and Design’ and ‘Science and Technology.’ One whole wall of the grand gallery is also taken up by a brilliant ‘Window on the World’ which pulls together 800 objects as a snapshot on the collection. I loved the juxtaposition of bicycles with Isnik tiles. But what was most exciting was to see an entire case devoted to navigation at sea within the ‘Earth in Space’ gallery! It’s good to see the problem of longitude given such prominence in a consideration of the relationship between the earth and the heavens. The case focuses on local hero Alexander Dalrymple and his work on mapping and hydrography for the East India Company, but it also includes all our old favourites in the instrument story. Backstaffs, precision chronometers, and the Nautical Almanac, sit happily in this gallery alongside rocks, minerals and a giant trilobite. Lets hope that interest in longitude lasts as long as the trilobite apparently will!