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showing 78 library results for '1699'

Born to be hanged : the epic story of the gentlemen pirates who raided the South Seas, rescued a princess, and stole a fortune /Keith Thomson. "The year is 1680, in the heart of the Golden Age of Piracy, and more than three hundred daring, hardened pirates-a potent mix of low-life scallywags and a rare breed of gentlemen buccaneers-gather on a remote Caribbean island. The plan: to wreak havoc on the Pacific coastline, raiding cities, mines, and merchant ships. The booty: the bright gleam of Spanish gold and the chance to become legends. So begins one of the greatest piratical adventures of the era - a story not given its full due until now. Inspired by the intrepid forays of pirate turned Jamaican governor Captain Henry Morgan - yes, that Captain Morgan - the company crosses Panama on foot, slashing its way through the Darien Isthmus, one of the thickest jungles on the planet, and liberating a native princess along the way. After reaching the South Sea, the buccaneers, primarily Englishmen, plunder the Spanish Main in a series of historic assaults, often prevailing against staggering odds and superior firepower. A collective shudder racks the western coastline of South America as the English pirates, waging a kind of proxy war against the Spaniards, gleefully undertake a brief reign over Pacific waters, marauding up and down the continent. With novelistic prose and a rip-roaring sense of adventure, Keith Thomson guides us through the pirates' legendary two-year odyssey. We witness the buccaneers evading Indigenous tribes, Spanish conquistadors, and sometimes even their own English countrymen, all with the ever-present threat of the gallows for anyone captured. By fusing contemporaneous accounts with intensive research and previously unknown primary sources, Born to Be Hanged offers a rollicking account of one of the most astonishing pirate expeditions of all time." 2022. • BOOK • 1 copy available. 972.87/02
The Levant voyage of the Blackham Galley (1696-1698) : the sea journal of John Looker ship's surgeon /edited by Colin Heywood and Edmond Smith. "This volume publishes for the first time, the journal kept by John Looker (?1670-1715) recording his service as ship's surgeon on the Blackham Galley, a London-built merchantman on its second trading voyage to the Levant, between December 1696 and March 1698. Preserved in the Caird Library of the National Maritime Museum, Looker's 'Journall' describes his experiences on the voyage from the point at which he joined the ship at Gravesend, to March 1698, when the journal breaks off abruptly in mid-sentence when the ship was off the Kentish 'Narrows'. John Looker was a Londoner, brought up in one of the parishes to the east of the City which furnished large numbers of mariners to the English sea-borne trades. He served an apprenticeship to a London barber-surgeon, and became a Freeman of the Company of Barber-Surgeons. His fifteen months of service on board the Blackham Galley appears to have been his only employment at sea, but his ready knowledge of maritime ways and language, which are apparent from the first pages of his 'Journall', make it more than likely that he came from a seafaring family. Subsequent to his voyage, he married, raised a family, practised in London as a surgeon, and acquired land in East Anglia. He died at Bath in 1715. Looker's 'Journall' divides naturally into three parts. The Blackham Galley's outward and homeward voyages were largely without incident. The time spent by the Blackham Galley in Turkish waters, covers its voyage from Smyrna to Constantinople, where the ship stayed for a month, and then returned to Smyrna. Captain Newnam's ill-advised and disastrous attempt at privateering in Ottoman waters on the return journey to Smyrna, led to the detention of his vessel at Smyrna under a double interdict from the English ambassador at the Porte and from the Ottoman authorities. Looker's account of the Blackham Galley's enforced stay in Smyrna furnishes a vigorous and detailed account of social life in the international merchant community, as well as portside life seen 'from below', with its taverns and prostitutes, and the activities and frequent 'debauches' of an increasingly bored and fractious crew. Looker's record also provides interesting detail of his professional approach to treatment of the illnesses, accidents and occasional deaths of members of the company of his own and other ships anchored off Smyrna"--Provided by publisher. 2022. • BOOK • 1 copy available. 910.4/5
Flying heads and snapping limbs : imagining violence at sea in early seventeenth-century Dutch maritime art /Michel van Duijnen. "Exploding ships, flying heads, snapping limbs: the Rijksmuseum collection holds some of the most explicit and violent paintings of early modern maritime warfare. Dating to the early seventeenth century, these large works were often commissioned by Dutch civic or military institutions to celebrate the victories of the Dutch Republic over the Spanish Crown at sea. The pioneering Dutch maritime painters of the time who worked on these prestigious commissions showcased a lively interest in the extreme violence that characterized naval warfare. Famed painters such as Hendrick Vroom, Cornelis Claesz van Wieringen and Adam Willaerts all painted gory scenes of snapping arms, flying heads and dismembered torsos. The explicit details found in these paintings provide a unique window on the rise of the seventeenth-century Dutch Republic. Commissioned by the rich and powerful, these works of art raise important questions about the glorification of violence, the self-image of the Dutch Republic as a military power, and the unique place of naval warfare in Dutch visual culture. In Flying heads and snapping limbs, Michel van Duijnen explores this new, different view of these impressive maritime paintings by discussing details that were previously overlooked and by asking questions that have never been asked before, giving them new and often unexpected and unexplored meanings."--Page 4 of cover. [2021] • BOOK • 1 copy available. 759.9492
Anna of Denmark : the material and visual culture of the Stuart courts, 1589-1619 /Jemma Field. "This book analyses Anna of Denmark's material and visual patronage at the Stuart courts, examining her engagement with a wide array of expressive media including architecture, garden design, painting, music, dress, and jewellery. Encompassing Anna's time in Denmark, England, and Scotland, it establishes patterns of interest and influence in her agency, while furthering our knowledge of Baltic-British transfer in the early modern period. Substantial archival work has facilitated a formative re-conceptualisation of James and Anna's relationship, extended our knowledge of the constituents of consortship in the period, and has uncovered evidence to challenge the view that Anna followed the cultural accomplishments of her son, Prince Henry. This book reclaims Anna of Denmark as the influential and culturally active royal woman that her contemporaries knew. Combining politics, culture, and religion across the courts of Denmark, Scotland, and England, it enriches our understanding of royal women's roles in early modern patriarchal societies and their impact on the development of cultural modes and fashions. This book will be of interest to upper level undergraduate and postgraduate students taking courses on early modern Europe in the disciplines of Art and Architectural History, English Literature, Theatre Studies, History, and Gender Studies. It will also attract a wide range of academics working on early modern material and visual culture, and female patronage, while members of the public who enjoy the history of courts and the British royals will also find it distinctively appealing."--Provided by the publisher. 2020. • BOOK • 1 copy available. 941.06/1092