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showing 600 library results for '1815'

The Napoleonic Wars in cartoons / Mark Bryant. "Napoleon Bonaparte, the junior artillery officer of the French Revolution who became emperor and dictator of nearly all of western Europe, was the most caricatured figure of his time, with almost 1000 satirical drawings being produced about his exploits by British artists alone. Long before the advent of illustrated daily or weekly newspapers these hand-coloured prints were a major source of news and opinion and had considerable impact on the public at large. From the battles of the Nile, Copenhagen, Trafalgar, Austerlitz, Jena and Leipzig to the Peninsular War, the invasion of Russia, exile on Elba and his final defeat at Waterloo in 1815, the actions of Napoleon and his opponents were the main focus of graphic satire worldwide for nearly twenty years. The Napoleonic Wars were also the main topic of interest for some of the greatest cartoonists of all time, making this period part of the 'The Golden Age of Caricature' which spanned the end of the 18th century and the beginning of the 19th century. The diminutive emperor was a gift to cartoonists and James Gillray's transformation of him into the Lilliputian character 'Little Boney' was immensely popular. He also appeared as various kinds of grotesque creature - from ape, serpent and dragon to earwig, toadstool and crocodile - forever battling the mighty John Bull, Britannia and the British Bulldog as well as the Russian bear and the Austrian and Prussian eagles. The Allied monarchs and military commanders themselves were also custom-made for caricature. The Duke of Wellington's nose, General Blucher's flamboyant moustache, the one-armed Lord Nelson, the pug-faced (and mad) Tsar Paul of Russia, the portly Prince of Wales and the wiry Prime Minister, William 'Bottomless' Pitt all feature prominently. "Napoleonic Wars in Cartoons" is divided into chapters each prefaced with a concise introduction that provides an historical framework for the work of that period. Altogether more than 300 drawings from both sides of the conflicts, in colour and black-and-white, have been skilfully blended to produce a unique visual history."--Dust jacket. 2009. • FOLIO • 1 copy available. 741.5:355.49"1793/1812"(42:44)
My inestimable friend / Alastair R. Brown. "In 1779 when William Brown was a fourteen-year-old midshipman on the Frigate Apollo, a French sharp-shooter's musket ball passed through the brim of his hat but injured only his left hand. Many years later, on the deck of HMS Victory, Admiral Lord Nelson would not be so fortunate when a French sharp shooter identified him. One day Alastair Brown was shown a copy of Sherwin's etching, The Death of Lord Robert Manners after the Battle of the Saints by his cousin, who was able to identify William Brown as the midshipman kneeling at the foot of the bed. This chance encounter greatly increased the author's interest in his ancestor's naval career. William remained a midshipman for the five years of peace following the battle until his pursuit of a commission led him to join William Bligh on the Bounty. Perhaps fortunately, he was transferred to another ship by the First Lord of the Admiralty, shortly before the Bounty sailed. In 1805, now commanding the 74-gun Ajax, William received a request from Nelson that Ajax accompany Victory to join the blockade of Cadiz. However, when Nelson later asked him to accompany Admiral Calder back to England for Calder's court martial, William unfortunately missed the Battle of Trafalgar by a few days. William Brown then attended Nelson's funeral before being sent to Malta as the first commissioner for the Royal Navy there. He was Commander-in-Chief at Jamaica when he died there of yellow fever in 1814. Not just a detailed account of the life of an admiral who served at the time of Nelson, the book contains many fascinating insights into life in the Georgian navy and Georgian society at large."--From inside front cover. 2017. • BOOK • 1 copy available. 92BROWN