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showing 168 library results for '1821'

The Napoleonic Wars in cartoons / Mark Bryant. "Napoleon Bonaparte, the junior artillery officer of the French Revolution who became emperor and dictator of nearly all of western Europe, was the most caricatured figure of his time, with almost 1000 satirical drawings being produced about his exploits by British artists alone. Long before the advent of illustrated daily or weekly newspapers these hand-coloured prints were a major source of news and opinion and had considerable impact on the public at large. From the battles of the Nile, Copenhagen, Trafalgar, Austerlitz, Jena and Leipzig to the Peninsular War, the invasion of Russia, exile on Elba and his final defeat at Waterloo in 1815, the actions of Napoleon and his opponents were the main focus of graphic satire worldwide for nearly twenty years. The Napoleonic Wars were also the main topic of interest for some of the greatest cartoonists of all time, making this period part of the 'The Golden Age of Caricature' which spanned the end of the 18th century and the beginning of the 19th century. The diminutive emperor was a gift to cartoonists and James Gillray's transformation of him into the Lilliputian character 'Little Boney' was immensely popular. He also appeared as various kinds of grotesque creature - from ape, serpent and dragon to earwig, toadstool and crocodile - forever battling the mighty John Bull, Britannia and the British Bulldog as well as the Russian bear and the Austrian and Prussian eagles. The Allied monarchs and military commanders themselves were also custom-made for caricature. The Duke of Wellington's nose, General Blucher's flamboyant moustache, the one-armed Lord Nelson, the pug-faced (and mad) Tsar Paul of Russia, the portly Prince of Wales and the wiry Prime Minister, William 'Bottomless' Pitt all feature prominently. "Napoleonic Wars in Cartoons" is divided into chapters each prefaced with a concise introduction that provides an historical framework for the work of that period. Altogether more than 300 drawings from both sides of the conflicts, in colour and black-and-white, have been skilfully blended to produce a unique visual history."--Dust jacket. 2009. • FOLIO • 1 copy available. 741.5:355.49"1793/1812"(42:44)
Bonaparte and the British : prints and propaganda in the age of Napoleon /Tim Clayton and Sheila O'Connell. "This fascinating book explores through contemporary prints how Bonaparte was seen from across the English Channel where hostile propaganda was tempered by admiration for his military and administrative talents. Featuring works from the British Museum's world-renowned collection of political satires, including examples by the greatest masters of the genre, James Gillray, Thomas Rowlandson and George Cruikshank, the authors examine in detail these fascinating and humorous prints. Attitudes to Bonaparte were coloured by political tensions in Britain as highlighted in satires of Charles James Fox, Richard Brinsley Sheridan, Lord Holland and other radicals. French, German, Russian and Spanish copies of British prints demonstrate the wide dissemination of prints and the admiration of continental artists for British satirists. From portraits of the handsome young general to the resplendent Emperor to the cast of his death mask, this book explores crucial events of Bonaparte's career and the period. French satires showing the British in relation to Bonaparte are also included alongside portraits of Bonaparte and his family made for the British market. This richly illustrated title reveals the stories behind the prints, explaining how satire was used as propaganda and how the artists worked. It features intricately detailed prints in full colour, bringing to life a key period in European history."--Provided by the publisher. 2015. • BOOK • 1 copy available. 741.5:92NAPOLEON
Polaris : the chief scientist's recollections of the American North Pole expedition, 1871-73 /Emil Bessels ; translated from the German: Die amerikanische Nordpol-Expedition (Leipzig: Verlag von Wilhelm Engelmann, 1879), by William Barr. "Emil Bessels was chief scientist and medical officer on George Francis Hall's ill-fated American North Pole Expedition of 1871-73 on board the ship Polaris. Bessels' book, translated from the German in its entirety for the first time, is one of only two first-hand accounts of the voyage, and it is the only first-hand account of the experiences of the group which stayed with the ship after it ran afoul of arctic ice, leaving some of its crew stranded on an ice floe. Bessels and the others spent a second winter on shore in Northwest Greenland, where the drifting, disabled ship ran aground. Hall died suspiciously during the first winter, and Bessels is widely suspected of having poisoned him. Bill Barr has uncovered new evidence of a possible motive. Polaris: The Chief Scientist's Recollections of the American North pole Expedition, 1871-73 includes considerable detail which does not appear elsewhere. It is the only account of the expedition which includes rich scientific information about anthropology, geology, flora and fauna. It provides much more information than other accounts on the Greenland settlements Polaris visited on her way north. Bessels' is the only published first-hand account of the second wintering of part of the ship's complement on shore at Polaris House, near Littleton Island, and of that party's attempt at travelling south by boat until picked up by the Scottish whaler Ravenscraig. The same applies to the cruise aboard the whaler, Arctic, after Bessels and his companions transferred to that ship."--Provided by publisher. 2016 • BOOK • 1 copy available. 910.4(98)"1871/1873"