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Hogarth, Reynolds, Turner : British painting and the rise of modernity /edited by Carolina Brook and Valter Curzi. "In the eighteenth century, Britain experienced a surge of major social, economic and cultural upheavals that manifested themselves particularly in the field of artistic production. While to some degree the aristocracy continued to favour the established cultural models of the Continent, the emerging middle classes fostered the development of an authentically British iconography, showing greater determination than the traditional patrons of the arts before them. In this book a team of British and Italian scholars address this subject, broadening the critical debate to include the contribution of eighteenth-century Italy. Here, historical and cultural analyses of Britain, and of London in particular, are combined with an examination of how a new and peculiarly native figurative language was forged alongside the continental tradition, manifesting itself in a dynamic quest that embraced and developed the classical tradition while attempting to break free of it. The resulting debate shaped the growth of the various pictorial genres - from history painting to landscape and portraiture - in which the British school evolved a distinct artistic identity that was to be recognized in the nineteenth century, expressed particularly in experimenting with landscape painting, seen as the image of modernity. Published on the occasion of the exhibition in Rome, the volume includes essays by Adriano Aymonino, Ilaria Miarelli Mariani, Carolina Brook, Brian Allen, Robin Simon, Pat Hardy, Martin Postle, Andrew Wilton, Valter Curzi, Sergio Marinelli, Giovanna Perini Folesani, Anna Maria Ambrosini Massari and Paolo Coen; the catalogue of the exhibited works, which is divided into seven sections (London, Capital of the British Empire; The New World; Towards a National Iconography; The Heroic Age of the Portrait; On the Spot Landscape: the Success of Watercolour; Variations on Landscape; Inside and Beyond Landscape: Constable and Turner); finally, the artists' biographies and a bibliography."--Provided by the publisher. 2014 • FOLIO • 1 copy available. 75(42)"17/18"
Bismarck and Hood : the battle of the Denmark Strait :a technical analysis for a new perspective /Marco Santarini "The legendary Battle of the Denmark Strait, which saw the mighty German battleship Bismarck sink Britain's HMS Hood in an epic duel of the titans, has been dogged by controversy to this day. Was the doomed HMS Hood really sunk by a shell that penetrated her decks to explode in one of her magazine compartments? Others believe that Bismarck's fortunate shell detonated in Hood's cordite supply - the powder that propelled 1,920-lbs some staggering 30,180 yards - suggesting that damage examined on the wreck indicates a more distinct explosion. Or was the Hood's destructive and violent demise a new, and until now, unexplained act of war? The sinking of HMS Hood on Empire Day, 24 May 1941, resulted in the single largest loss of life for the Royal Navy during the Second World War: 1,415 lives were lost. There were absolutely no traces of any crewmen save three survivors. 'Bismarck and Hood: The Battle of the Denmark Strait - A Technical Analysis' is an innovative and potentially controversial study of this infamous battle. The author, a rear admiral in the Italian Navy, is an expert in gunnery and his book, a work of over two decades of study, further investigates this battle in an attempt to attain a more credible explanation. The events and tactics leading up to the battle are explained within their various contexts and a cinematic and ballistic model of the battle was developed, essential for a statistical analysis of Hood's sinking. Certainly, no one will ever be able to confirm what exactly happened in the Denmark Strait on that fateful day, but this rigorous book disposes of myths and falsehoods and paves the way for a more realistic interpretation of this iconic battle between HMS Hood and Bismarck."--Provided by the publisher. 2013 • BOOK • 1 copy available. 355.49"1941"(42:43)
Observing by hand / Omar W. Nasim. "Today we are all familiar with the iconic pictures of the nebulae produced by the Hubble Space Telescope's digital cameras. But there was a time, before the successful application of photography to the heavens, in which scientists had to rely on handmade drawings of these mysterious phenomena. Observing by Hand sheds entirely new light on the ways in which the production and reception of handdrawn images of the nebulae in the nineteenth century contributed to astronomical observation. Omar W. Nasim investigates hundreds of unpublished observing books and paper records from six nineteenth-century observers of the nebulae: Sir John Herschel; William Parsons, the third Earl of Rosse; William Lassell; Ebenezer Porter Mason; Ernst Wilhelm Leberecht Tempel; and George Phillips Bond. Nasim focuses on the ways in which these observers created and employed their drawings in data-driven procedures, from their choices of artistic materials and techniques to their practices and scientific observation. He examines the ways in which the act of drawing complemented the acts of seeing and knowing, as well as the ways that making pictures was connected to the production of scientific knowledge. An impeccably researched, carefully crafted, and beautifully illustrated piece of historical work, Observing by Hand will delight historians of science, art, and the book, as well as astronomers and philosophers."--Provided by the publisher. 2013 • BOOK • 1 copy available. 524.5/.7
Mr Selden's map of China : the spice trade, a lost chart and the South China Sea /Timothy Brook. Timothy Brook's award-winning Vermeer's Hat unfolded the early history of globalization, using Vermeer's paintings to show how objects like beaver hats and porcelain bowls began to circulate around the world. Now he plumbs the mystery of a single artifact that offers new insights into global connections centuries old.In 2009, an extraordinary map of China was discovered in Oxford's Bodleian Library - where it had first been deposited 350 years before, then stowed and forgotten for nearly a century. Neither historians of China nor cartography experts had ever seen anything like it. It was so odd that experts would have declared it a fake - yet records confirmed it had been delivered to Oxford in 1659. The 'Selden Map', as it is known, was a puzzle that needing solving. Brook, a historian of China, set out to explore the riddle. His investigation will lead readers around this elegant, enigmatic work of art, and from the heart of China, via the Southern Ocean, to the court of King James II. In the story of Selden's map, he reveals for us the surprising links between an English scholar and merchants half a world away, and offers novel insights into the power and meaning that a single map can hold. Brook delivers the same anecdote-rich narrative, intriguing characters, and unexpected historical connections that made Vermeer's Hat an instant classic. 2013 • BOOK • 1 copy available. 382(4:5)