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Inigo Jones's "Roman sketchbook" / [introduction and notes by] Edward Chaney. "The modest, vellum-bound notebook now known as the Roman Sketchbook and catalogued at Chatsworth House as 'Album 6' was probably acquired early in the New Year of 1614, within days Inigo Jones's of arrival in Rome with the Earl of Arundel. Begun as a self-improving notebook in Rome on 21 January 1614, Jones soon seems to have put the Sketchbook aside while he explored Rome with his patron. A month later Jones began paraphrasing Palladio's Antichitáa di Roma but then seems to have abandoned his notebook and was not to return to it for at least two decades. Then, in his sixties, he decided to fill in many of the pages he had left blank with more pen and ink notes and drawings. Both were derived from books or prints with varying degrees of literalness; the Italian prose being translated and paraphrased or abridged; the visual material being inevitably filtered through his own artistic experience but usually repeated in more or less directly derivative form. Both notes and drawings were inserted in the manner of one compiling a visual commonplace-book in which the drawings are related to many similar but scattered drawings done in the same period. Now, more than his own education, he seems to have had that of his own pupil, John Webb in mind and through and beyond him, his own immortality. Published previously only in a very rare lithographic facsimile in 1831 this is the first scholarly publication of the Roman Sketchbook. The text has been fully reproduced in photographic facsimile and accurately transcribed by Professor Chaney for the first time. The sources of Jones's designs, mostly Italian prints of the sixteenth century have been identified, with supporting illustrations, and in a lengthy introduction Professor Chaney explores the place the Sketchbook fills in both Jones's life and his legacy."--Provided by the publisher. 2006. • BOOK • 2 copies available. 7JONES
Voices in flight : the Royal Naval Air Service during the Great War /by Malcolm Smith. "Following in the same style as his previous book of Fleet Air Arm recollections, Malcolm Smith has collected a compendium of reminiscences from pilots who flew for the Royal Navy and the Royal Marines during the First World War. He includes first-hand testimonies from pilots manning early seaplane stations, an enthralling account from F.J. Rutland (the 'Rutland of Jutland'), who became the first pilot to take off in a Sopwith Pup from a platform on the roof of one of HMS Yarmouth's gun turrets, the true tale behind Rudyard Kipling's short story 'A Flight of Fact' (concerning Guy Duncan-Smith's experience of becoming marooned in the Maldives following a dramatic shoot-down), amongst many other personalized and illuminating stories. All these anecdotes are drawn from the extensive archive maintained by the Fleet Air Arm Museum at Yeovilton, Somerset. The archive contains an enormous quantity of material, in the form of handwritten diaries, transcripts, log books and documentation of many kinds. Alongside the written material, the Museum maintains an unrivaled photographic archive and a representative sample of these images is included in the book. Excerpts from diaries, transcripts of spoken first-hand accounts and other recorded narratives make up the bulk of the book, with whole chapters dedicated to some of the most vocal members to see service during the course of the RNAS's Great War history. Guy Leather, a pilot destined to track an impressive trajectory with the RNAS features in one such chapter; his day to day accounts relay the full gamut of pilot experience at this time. This humane and thoughtful consolidation of pilot reflections is sure to appeal broadly, particularly as we approach the one hundredth year anniversary of the First World War."--Provided by the publisher. 2014. • BOOK • 1 copy available. 358.38"1914/1918"
Britain and colonial maritime war in the early eighteenth century : silver, seapower and the Atlantic /Shinsuke Satsuma. "In early modern Britain, there was an argument that war at sea, especially war in Spanish America, was an ideal means of warfare, offering the prospect of rich gains at relatively little cost whilst inflicting considerable damage on enemy financial resources. This book examines that argument, tracing its origin to the glorious memory of Elizabethan maritime war, discussing its supposed economic advantages, and investigating its influence on British politics and naval policy during the War of the Spanish Succession (1702-13) and after. The book reveals that the alleged economic advantages of war at sea were crucial in attracting the support of politicians of different political stances. It shows how supporters of war at sea, both in the government as well as in the opposition, tried to implement pro-maritime war policy by naval operations, colonial expeditions and by legislation, and how their attempts were often frustrated by diplomatic considerations, the incapacity of naval administration, and by conflicting interests between different groups connected to the West Indian colonies and Spanish American trade. It demonstrates how, after the War of the Spanish Succession, arguments for active colonial maritime war continued to be central to political conflict, notably in the opposition propaganda campaigns against the Walpole ministry, culminating in the War of Jenkins's Ear against Spain in 1739. The book also includes material on the South Sea Company, showing how the foundation of this company, later the subject of the notorious 'Bubble', was a logical part of British strategy."--Provided by the publisher. 2013. • BOOK • 1 copy available. 355.49"17"(42)