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showing 321 library results for 'main'

A history of the world in sixteen shipwrecks / Stewart Gordon. "Shipwrecks as hidden windows on the history of globalization. Roman triremes of the Mediterranean. The treasure fleet of the Spanish Main. Great ocean liners of the Atlantic. Stories of disasters at sea fire the imagination as little else can, whether the subject is a historical wreck--the Titanic or the Bismark--or the recent capsizing of a Mediterranean cruise ship. Shipwrecks also make for a new and very different understanding of world history. A History of the World in Sixteen Shipwrecks explores the ages-long, immensely hazardous, persistently romantic, and still-ongoing process of moving people and goods across far-flung maritime worlds. Telling the stories of ships and the people who made and sailed them, from the earliest ancient-Nile craft to the Exxon Valdez, A History of the World in Sixteen Shipwrecks argues that the gradual integration of localized and separate maritime regions into fewer, larger, and more interdependent regions offers a unique window on world history. Stewart Gordon draws a number of provocative conclusions from his study, among them that the European 'Age of Exploration' as a singular event is simply a myth--many cultures, east and west, explored far-flung maritime worlds over the millennia--and that technologies of shipbuilding and navigation have been among the main drivers of science and technology throughout history. Finally, A History of the World in Sixteen Shipwrecks shows in a series of compelling narratives that the development of institutions and technologies that made terrifying oceans familiar, and turned unknown seas into sea-lanes, profoundly matters in our modern world"--Provided by the publisher. [2015]. • BOOK • 1 copy available. 656.61.085.3(100)"-.../20"
Edinburgh's Leith Docks 1970-80 : The transition years /Malcolm Fife "Leith has been Edinburgh?s main port since the Middle Ages. It is one of the oldest harbours in the country, dating back to the twelfth century. Modern Leith docks took shape in the nineteenth century with the construction of stone quays and breakwaters. The late 1930s saw a further major expansion of the docks with the building of the Western Breakwater, greatly expanding the area of the port. After the end of the Second World War, however, there was a gradual decline in the number of cargo ships being handled at Leith. It was bypassed by the container revolution which commenced in the 1960s, with most shipping operators preferring to use Grangemouth Docks instead. Nevertheless, today, it is the largest enclosed deep-water port in Scotland. The port was transformed in 1969 when a large state-of-the-art sea lock was installed, transforming the tidal harbour into a deep-water docks. Its fortunes were further boosted with the discovery of oil in the southern North Sea. A motley collection of vessels operated out of Leith to supply and service the oil rigs. There were further ships involved in the construction of the vast undersea pipeline network. Other examples transported heavy equipment to the Orkney and Shetland Islands where the search for oil was just beginning. Cruise ships also began to call at Leith in the 1970s and this has now become one of its main activities. In this book, Malcolm Fife explores this fascinating decade of change for Leith Docks."--Provided by the publisher. 2017 • BOOK • 1 copy available. 627.3(414)
The Napoleonic Wars in cartoons / Mark Bryant. "Napoleon Bonaparte, the junior artillery officer of the French Revolution who became emperor and dictator of nearly all of western Europe, was the most caricatured figure of his time, with almost 1000 satirical drawings being produced about his exploits by British artists alone. Long before the advent of illustrated daily or weekly newspapers these hand-coloured prints were a major source of news and opinion and had considerable impact on the public at large. From the battles of the Nile, Copenhagen, Trafalgar, Austerlitz, Jena and Leipzig to the Peninsular War, the invasion of Russia, exile on Elba and his final defeat at Waterloo in 1815, the actions of Napoleon and his opponents were the main focus of graphic satire worldwide for nearly twenty years. The Napoleonic Wars were also the main topic of interest for some of the greatest cartoonists of all time, making this period part of the 'The Golden Age of Caricature' which spanned the end of the 18th century and the beginning of the 19th century. The diminutive emperor was a gift to cartoonists and James Gillray's transformation of him into the Lilliputian character 'Little Boney' was immensely popular. He also appeared as various kinds of grotesque creature - from ape, serpent and dragon to earwig, toadstool and crocodile - forever battling the mighty John Bull, Britannia and the British Bulldog as well as the Russian bear and the Austrian and Prussian eagles. The Allied monarchs and military commanders themselves were also custom-made for caricature. The Duke of Wellington's nose, General Blucher's flamboyant moustache, the one-armed Lord Nelson, the pug-faced (and mad) Tsar Paul of Russia, the portly Prince of Wales and the wiry Prime Minister, William 'Bottomless' Pitt all feature prominently. "Napoleonic Wars in Cartoons" is divided into chapters each prefaced with a concise introduction that provides an historical framework for the work of that period. Altogether more than 300 drawings from both sides of the conflicts, in colour and black-and-white, have been skilfully blended to produce a unique visual history."--Dust jacket. 2009. • FOLIO • 1 copy available. 741.5:355.49"1793/1812"(42:44)