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Ottoman explorations of the Nile : Evliya ðCelebi's 'Matchless pearl these reports of the Nile' map and his accounts of the Nile and the Horn of Africa in The book of travels /Robert Dankoff, Nuran Tezcan, Michael D. Sheridan. "The most ambitious effort, before the time of Napoleon, to explore and map out the Nile was undertaken by the Ottomans, as attested by two monumental documents: an elaborate map, with 450 rubrics; and a lengthy travel account. Both were achieved at about the same time - c. 1685 - and both apparently by the same man. Evliya ðCelebi's account of his Nile journeys, in Volume 10 of The Book of Travels (Seyahatname), has been known to the scholarly world since 1938. The map, in the Vatican Library, has been known to the scholarly world since 1949. A first edition of it was published in 2011. The authors of that edition, Robert Dankoff and Nuran Tezcan, demonstrated in detail that the map should be attributed to Evliya ðCelebi. The edition of the map included here (which, considered as a text, is extraordinarily challenging philologically) incorporates many new readings, bringing it a step closer to a definitive edition. This volume also contains Evliya's six journeys, his travels in Egypt and Sudan and along the Red Sea coast, as well as problems regarding dates and authenticity of the journeys. The relation of the map and The Book of Travels is analysed, including similarities and correspondences in content, language, and style, along with discrepancies between the two documents and how to account for them."--Provided by the publisher 2018. • BOOK • 1 copy available. 910.4(496.02)
Barbarian eye : Lord Napier in China 1834 "This book tells the story of William John Napier, 9th Lord Napier of Merchiston, who was sent to China in 1834, not to stop the opium smuggling (by which all local officials profited hugely), but to seek a settlement between the British sea-traders and the Cantonese authorities. Known at home as a brave and sensible sailor who had started his career at Trafalgar, William John was noted for his calm and patience. He was at once seen by the Chinese authorities as a dangerous spy - a 'Barbarian Eye'. The Viceroy Loo of Canton declined to accept Napier's credentials from King William IV and replied to his efforts at communication by adapting the syllables of his name - Nay Peer into the the rudest possible translation - Vile Labouring Beast, (or Laboriously Vile for short). Napier did not mind this but he did mind the Viceroy's refusal to enter into dialogue. All was frustration, but he continued to try for agreement until struck down by a local fever. However, Lord Napier noticed a rocky island occupied by only a few fishermen's families, and guarding one of the finest natural harbours in the world. Why not, without bloodshed, arrange to trade from there, rather than up the river at Canton, where ships could be boxed in at whim? The island was called Hong Kong. Though biographical in character, based largely upon Lord Napier's own letters and journals, the book gives an admirable insight into the story of Western contacts over the centuries with the world's oldest and surely most remarkable civilisation and a charming description of life in England and Scotland in the early 19th century, including life in the court of King William IV, Lord Napier's close friend and master."--Provided by the publisher. 1995 • BOOK • 1 copy available. 951.08"1834"(512.317)
The snail that climbed the Eiffel Tower : and other work by John Minton /written by Martin Salisbury. "JOHN MINTON (1917-1957) may be best known today as a gifted post-war painter of the nee-romantic movement, but he produced some of his most inspired work as a commercial illustrator. Remarkably, even as interest in mid-twentieth-century art and design has grown considerably in recent years, Minton's prolific output as agraphic artist - achieved during a working life of little more than a decade - has not gained the recognition it greatly deserves. One hundred years after his birth, this book gathers together for the first time Minton's commercial graphic work, including many rare and previously unseen pieces, to celebrate a major force in the distinguished history of British illustration. As Britain emerged from World War II, a new spirit of romanticism prevailed across many areas of the arts, especially in painting and illustration. Minton's versatility led to commissions spanning book illustration, dust-jacket design, illustrations for magazines, journals and advertising, and posters for companies such as film studios and airlines. Martin Salisbury explores the wide range of Minton's work, from stamp and wallpaper designs to the vibrant, evocative illustrations he created for Elizabeth David's first two groundbreaking cookery books, Presenting over 350 examples of Minton's elegant, seemingly effortless draughtsmanship, The Snail that Climbed the Eiffel Tower demonstrates how John Minton set new standards in the graphic and commercial arts with an inimitable style that continues to hold appeal today."--Provided by the publisher. 2017. • FOLIO • 1 copy available. 7MINTON