The Queen's House, Greenwich, Unveils Major Art Installation By Mat Collishaw Inspired By Elizabeth I

The Queen’s House, Greenwich has unveiled a major new installation by internationally acclaimed British artist, Mat Collishaw. The specially commissioned work, The Mask of Youth, responds directly to one of the most important paintings in the Museum’s collection, the iconic and powerful Armada Portrait of Elizabeth I. 

The Armada Portrait commemorates the most famous conflict of Elizabeth’s reign (1558–1603), the Spanish Armada’s failed attempt to invade England in July and August 1588. Despite being painted shortly after the invasion when the Queen was almost fifty-five, the painting depicts a woman who looks considerably younger. Inspired by this idealised image of the Tudor Queen, Collishaw has collaborated with leading special effects designers using cutting-edge technology to create a stand-alone animatronic mask which approximates Elizabeth's appearance at the age of the portrait's creation.


Positioned directly opposite the Armada Portrait and suspended in isolation on surveillance mirror, the installation places both the aging and ageless Elizabeth in dialogue. Through this careful juxtaposition, Collishaw’s work explores the different sides of the queen, both real and imagined, and grapples with notions of mortality, the manipulation of truth, political propaganda and the extent to which female power is tied to appearance and youth.


Using digital scans of Elizabeth's portraits and the electrotype cast of her effigy, as well as descriptions by her contemporaries, the artist has devised a chillingly lifelike recreation of Elizabeth I. Known for his fusion of technology and art, Collishaw brings Elizabeth back to life before her audience. By leaving the animatronics that facilitate her movements deliberately exposed at the back of her head, the artist suggests that behind Elizabeth’s public persona, her every movement was carefully controlled. Beneath the surface and behind her mask, she is busy making decisions and calculations to which no one else is privy.


Inspired by historic art throughout his career, Collishaw has long been fascinated by the Armada Portrait and its function as a political statement that emphasises the sovereignty and 'agelessness' of a queen who in reality was middle aged, unmarried and heirless. Whilst Elizabeth’s portraits were designed to flatter, they also highlight her understanding of the fact that her public image could be used to suggest her power and authority. As a woman of intelligence, she used this tool to help overcome the cultural prejudices she faced due to her gender and to advertise her virtues, skills and competence as a female head of state.


Evidence suggests that Elizabeth did not sit for lengthy portrait sessions. Instead, her face was the only part of her that was drawn from life. These drawings were used to form an approved pattern that was used as the basis for any reproduction of her image. Collishaw’s mask indicates the ways in which these images might be manipulated for political purposes in order to efface the vulnerabilities and perceived weaknesses that Elizabeth took pains to hide. The images produced during the latter part of Elizabeth’s life have come to be known as ‘The Mask of Youth’ because of the careful way in which they emphasise the Queen’s beauty and strength over her aging face and body. By using the name of the portrait type as his title, Collishaw suggests that Elizabeth’s life was spent behind a mask both figuratively and metaphorically.


In today’s world of social media and obsession with manipulating photographs to present their subjects in the best light, Collishaw’s mask raises questions about both the historic and modern preoccupation with female appearance. Elizabeth was a pioneer of many of the practices of image manipulation that technology facilitates. Collishaw invites audiences to consider the loneliness and isolation that may lie underneath the presentation of a carefully-curated public image.


Mat Collishaw’s Mask of Youth is on display at the Queen’s House from 3 October 2018 – 3 February 2019. The presentation of Collishaw’s works is part of a National Lottery funded three-year programme of events and exhibitions related to the Armada portrait and Elizabeth I that will be taking place until spring 2020. The National Lottery grant of £7.4m from the Heritage Lottery Fund (HLF) also helped purchase the Armada portrait and enabled it to be permanently housed at the Queen’s House.   The programme includes a newly commissioned display of photographic portrait miniatures by Bettina von Zwehl, in the King’s Privy Chamber of the Queen’s House. For more information visit


Exhibition information for visitors:


Venue:                        The Queen’s Presence Chamber, Queen’s House, Royal Museums Greenwich

Dates:                         3 October – 3 February 2019

Opening times:          every day, 10.00 – 17.00 (closed 24–26 December)

Visitor enquiries:      020 8858 4422  

Admission:                 Free


Twitter:                      @RMGreenwich #QueensHouse #ArmadaPortrait

Instagram:                 @royalmuseumsgreenwich #QueensHouse #ArmadaPortrait

Facebook:                  @royalmuseumsgreenwich





Notes to editors


  1. The 17th century Queen’s House, designed by Inigo Jones, was the first Classical building in England – it is known for its perfectly proportioned Great Hall, original marble floor and beautiful Tulip staircase. Part of Royal Museums Greenwich, the Queen’s House has Scheduled Monument status as it is a building of unique architectural importance and forms an important part of the UNESCO Maritime Greenwich World Heritage Site.  Visitors to the Queen’s House can see highlights from the National Maritime Museum’s fine art collection, including: famous portraits of Elizabeth I and James Duke of York; and exquisite examples of the work of the van de Veldes.

The Queen’s House is part of Royal Museums Greenwich which also incorporates the National Maritime Museum, the Royal Observatory Greenwich and Cutty Sark. This unique collection of museums and heritage buildings, which form a key part of the Maritime Greenwich UNESCO World Heritage Site, welcomes over two and a half million British and international visitors a year and is also a major centre of education and research. The mission of Royal Museums Greenwich is to enrich people’s understanding of the sea, the exploration of space, and Britain's role in world history. For more information visit


  1. Mat Collishaw is a key figure in an important generation of contemporary British artists. He began his career exhibiting the acclaimed work Bullet Hole at the legendary show Freeze in 1988. His broad practice includes sculpture, photography, film and installation, and his work has been exhibited in numerous solo shows around the world.  Collishaw’s work is in numerous public and private collections including; Tate and British Council Collections, both London; Centre Georges Pompidou, Paris; Arter Foundation, Istanbul; Museum of Contemporary Art, San Diego; Museum of Old and New Art, New South Wales and Olbricht Collection, Berlin. The artist lives and works in London.


  1. About the Heritage Lottery Fund (HLF)

Thanks to National Lottery players, we invest money to help people across the UK explore, enjoy and protect the heritage they care about - from the archaeology under our feet to the historic parks and buildings we love, from precious memories and collections to rare wildlife. Follow us on Twitter, Facebook and Instagram and use #NationalLottery.




For further information or images, please contact:

Sarah Sandall, Royal Museums Greenwich Press Office

Tel: 020 8312 6789 | 07960 509 802 or Email