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'Whatcombe 1851' / 'Entrance to Kent’s Hole, Torquay'
On one side of this page is a watercolour depicting a rockface in Watcombe, Torquay. Three figures rest on rocks to the right while livestock, perhaps sheep, lie on the flat ground beneath the cliff. ‘Whatcombe 1851’ is inscribed in the bottom right corner.
On the overleaf, a drawing with ink and wash depicts a gated entrance surrounded by rocks and shrubbery. ‘Entrance to Kent’s Hole / Torquay’ is inscribed in the bottom left. Now known as Kent’s Cavern, Torquay, the cave was undergoing archaeological research in the 1850s, when this drawing was made.
These drawings are part of an album containing thirty-six drawings (PAG3476–PAG3511) by Harry Edmund Edgell (1809–1876), dated between 1851 and 1852. During this time, Edgell was living in Torquay, Devon, with his wife Caroline, with whom he had a daughter in June 1852. Edgell entered the Royal Naval College in 1821 and was involved in forcing the passage of the Bocca Tigris in China while serving as Lieutenant on HMS ‘Imogene’ in the 1830s. He became Captain in 1846 and commanded HMS ‘Siren’, in which he assisted in the removal of the sculptured remains of the Tomb of Mausolus (Canning Marbles) from Bodrum Castle, Asia Minor (now Türkiye), to the British Museum. After returning from the Mediterranean in 1847, Edgell did not serve on board a ship again until 1855. This sketchbook primarily contains landscapes and coastal scenes depicting everyday life in and around Devon. Some of the later pages depict places in China and other locations in Asia, suggesting Edgell may have used this album outside of the dates recorded. The final page contains a note in Edgell’s hand, titled ‘India’, recording the details of six ships involved in the Second Anglo-Burmese War, which began in April 1852.
On the overleaf, a drawing with ink and wash depicts a gated entrance surrounded by rocks and shrubbery. ‘Entrance to Kent’s Hole / Torquay’ is inscribed in the bottom left. Now known as Kent’s Cavern, Torquay, the cave was undergoing archaeological research in the 1850s, when this drawing was made.
These drawings are part of an album containing thirty-six drawings (PAG3476–PAG3511) by Harry Edmund Edgell (1809–1876), dated between 1851 and 1852. During this time, Edgell was living in Torquay, Devon, with his wife Caroline, with whom he had a daughter in June 1852. Edgell entered the Royal Naval College in 1821 and was involved in forcing the passage of the Bocca Tigris in China while serving as Lieutenant on HMS ‘Imogene’ in the 1830s. He became Captain in 1846 and commanded HMS ‘Siren’, in which he assisted in the removal of the sculptured remains of the Tomb of Mausolus (Canning Marbles) from Bodrum Castle, Asia Minor (now Türkiye), to the British Museum. After returning from the Mediterranean in 1847, Edgell did not serve on board a ship again until 1855. This sketchbook primarily contains landscapes and coastal scenes depicting everyday life in and around Devon. Some of the later pages depict places in China and other locations in Asia, suggesting Edgell may have used this album outside of the dates recorded. The final page contains a note in Edgell’s hand, titled ‘India’, recording the details of six ships involved in the Second Anglo-Burmese War, which began in April 1852.
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