Sketch of a male figure in traditional Albanian costume with musket and yatagan, inscribed 'My Guide'
This graphite drawing depicts a man in traditional southern Albanian costume. It is directly followed by a drawing (PAG3511) inscribed 'Konitsa, Albania', which suggests he is an Arnaut, an Albanian soldier or mercenary in the Ottoman Empire. It is possible that, more specifically, this man is part of the Orthodox Christian Albanian Souliot tribe who settled largely in the Epirus region of Greece, which encompasses Konitsa. He wears a fustanella (a pleated linen cloth kilt), traditional woollen hose, possibly with kallcik or tosllukët (woollen gaiters), opinga shoes, a wrapped headscarf or felt cap with a cloth wrap, and a cape. He is leaning on a Tançica, a type of musket, and carries a yatagan knife in his belt. He stands in front of a mountainous, rocky background.
This drawing is part of an album containing thirty-six drawings (PAG3476–PAG3511) by Harry Edmund Edgell (1809–1876), dated between 1851 and 1852. During this time, Edgell was living in Torquay, Devon, with his wife Caroline, with whom he had a daughter in June 1852. Edgell entered the Royal Naval College in 1821 and was involved in forcing the passage of the Bocca Tigris in China while serving as Lieutenant on HMS ‘Imogene’ in the 1830s. He became Captain in 1846 and commanded HMS ‘Siren’, in which he assisted in the removal of the sculptured remains of the Tomb of Mausolus (Canning Marbles) from Bodrum Castle, Asia Minor (now Türkiye), to the British Museum. After returning from the Mediterranean in 1847, Edgell did not serve on board a ship again until 1855. This sketchbook primarily contains landscapes and coastal scenes depicting everyday life in and around Devon. Some of the later pages depict places in China and other locations in Asia, suggesting Edgell may have used this album outside of the dates recorded. The final page contains a note in Edgell’s hand, titled ‘India’, recording the details of six ships involved in the Second Anglo-Burmese War, which began in April 1852.
This drawing is part of an album containing thirty-six drawings (PAG3476–PAG3511) by Harry Edmund Edgell (1809–1876), dated between 1851 and 1852. During this time, Edgell was living in Torquay, Devon, with his wife Caroline, with whom he had a daughter in June 1852. Edgell entered the Royal Naval College in 1821 and was involved in forcing the passage of the Bocca Tigris in China while serving as Lieutenant on HMS ‘Imogene’ in the 1830s. He became Captain in 1846 and commanded HMS ‘Siren’, in which he assisted in the removal of the sculptured remains of the Tomb of Mausolus (Canning Marbles) from Bodrum Castle, Asia Minor (now Türkiye), to the British Museum. After returning from the Mediterranean in 1847, Edgell did not serve on board a ship again until 1855. This sketchbook primarily contains landscapes and coastal scenes depicting everyday life in and around Devon. Some of the later pages depict places in China and other locations in Asia, suggesting Edgell may have used this album outside of the dates recorded. The final page contains a note in Edgell’s hand, titled ‘India’, recording the details of six ships involved in the Second Anglo-Burmese War, which began in April 1852.
For more information about using images from our Collection, please contact RMG Images.